["itemContainer",{"xmlns:xsi":"http://www.w3.org/2001/XMLSchema-instance","xsi:schemaLocation":"http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd","uri":"https://bvhumanidades.usac.edu.gt/items/browse?collection=1&output=omeka-json&page=8","accessDate":"2026-06-12T20:39:48-05:00"},["miscellaneousContainer",["pagination",["pageNumber","8"],["perPage","10"],["totalResults","828"]]],["item",{"itemId":"1953","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"1880"},["src","https://bvhumanidades.usac.edu.gt/files/original/ee27a2d13d2d4a6e3ef1ec7e34bfc987.pdf"],["authentication","280674dbf36035f944604098c6ad15de"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9766"},["text","Johan Sebastian Bach y las propiedades combinatorias de su sujeto Tonal"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9767"},["text","http://musike.cmpr.edu/docs/v002/segarra_bach.pdf"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9768"},["text","Análisis de las probiedades combinatorias de las capaciadades de composición de Bach"]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9769"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9770"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"3529"},["name","Bach"]],["tag",{"tagId":"3531"},["name","Contrapunto"]],["tag",{"tagId":"3526"},["name","Fuga"]],["tag",{"tagId":"3528"},["name","Johan Sebastian Bach"]]]],["item",{"itemId":"1952","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"1879"},["src","https://bvhumanidades.usac.edu.gt/files/original/387252dd844c264dfda55948206a8caa.pdf"],["authentication","b316afd53cc759dba16b6f79212caca1"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9761"},["text","El Lenguaje Contrapuntístico de Francisco de Peñalosa y Cristobal de Morales a Través de sus Motetes"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9762"},["text","http://www.tdx.cat/bitstream/handle/10803/116221/rmp1de1.pdf;jsessionid=B30962CAF7F74833BDDDDA38C79E619B.tdx1?sequence=1"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9763"},["text","Análisis del contrapunto de los motetes de Francisco de Peñalosa y Cristobal de Morales"]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9764"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9765"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"3509"},["name","análisis"]],["tag",{"tagId":"3531"},["name","Contrapunto"]],["tag",{"tagId":"3586"},["name","motete"]]]],["item",{"itemId":"1951","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"1878"},["src","https://bvhumanidades.usac.edu.gt/files/original/5a5992e3376c50bb4ffc42a96428b229.pdf"],["authentication","eaef9bd7d5781a67fb0ad632d96f04e5"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9756"},["text","Manual de Contrapunto Severo"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9757"},["text","https://analisisyteoriamusical.files.wordpress.com/2011/07/manual-de-contrapunto-severo.pdf"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9758"},["text","Instroducción al estudio del contrapunto severo por especies"]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9759"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9760"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"3531"},["name","Contrapunto"]],["tag",{"tagId":"3604"},["name","cuarta especia"]],["tag",{"tagId":"3592"},["name","Especies"]],["tag",{"tagId":"3600"},["name","florido"]],["tag",{"tagId":"3599"},["name","nota contra nota"]],["tag",{"tagId":"3601"},["name","primera especie"]],["tag",{"tagId":"3602"},["name","segunda especia"]],["tag",{"tagId":"3603"},["name","tercera especia"]]]],["item",{"itemId":"1950","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"1877"},["src","https://bvhumanidades.usac.edu.gt/files/original/a58fab9533bdaa9b221a33689341c496.PDF"],["authentication","e8b1745d3cd6825c33b251e6b75c1955"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9751"},["text","DEL DISCURSO IMPERIAL A LA TEORÍA DEL CONTRAPUNTO. BASES SEMIOLÓGICAS PARA EL DIÁLOGO ENTRE CIVILIZACIONES EN LA OBRA DE EDWARD SAID"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9752"},["text","http://rabida.uhu.es/dspace/bitstream/handle/10272/7436/Del_discurso_imperial_a_la_teoria_del_contrapunto.pdf?sequence=2"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9753"},["text","En el presente artículo se exponen las ideas principales del pensador palestino Edward Said acerca de la posibilidad de establecer las bases para el diálogo intercultural, mediante la superación de los modelos semiológicos excluyentes, entre ellos, el ofrecido por el discurso hegemónico imperial. Frente a la teoría del enfrentamiento cultural entre estructuras hegemónicas irreconciliables, ofrecido por autores como Samuel P. Huntington en su teoría del choque de civilizaciones, Edward Said apuesta por establecer las bases discursivas que faciliten la convivencia, el diálogo y el enriquecimiento mutuo entre pueblos y naciones siguiendo el modelo de la técnica musical del contrapunto."]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9754"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9755"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"3610"},["name","diálogo intercultural"]],["tag",{"tagId":"3606"},["name","discurso hegemónico imperial"]],["tag",{"tagId":"3609"},["name","discursos alternativos"]],["tag",{"tagId":"3607"},["name","Foucault"]],["tag",{"tagId":"3608"},["name","Gramsci"]],["tag",{"tagId":"3605"},["name","teoría del contrapunto"]]]],["item",{"itemId":"1949","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"1876"},["src","https://bvhumanidades.usac.edu.gt/files/original/3e58273867aca839c154e29a9b49cbed.pdf"],["authentication","afc1c298659b36ac107aacc5f4359081"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9746"},["text","Módulo de Contrapunto"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9747"},["text","http://u.jimdo.com/www46/o/s98ac0d6886b579a6/download/m35dcec6962d1f190/1430343198/M%C3%93DULO+Contrapunto+I%2C+II.pdf"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9748"},["text","Para tener una idea más o menos cercana del tiempo y espacio de cuándo y dónde se origina se origina esta singular técnica musical llamada CONTRAPUNTO (amén de que el estudiante debe dominar las conceptualizaciones de un glosario de términos propios de la asignatura, más las reglas de la Armonía), recorreremos en forma sintética la Historia Musical; contaremos, de ser posible, con ejemplos de melodías de notables compositores de esa época para su observación y análisis. El tratamiento de la asignatura será desarrollado en forma progresiva, contando con espacios para realizar ejercicios de aplicación."]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9749"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9750"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"3531"},["name","Contrapunto"]],["tag",{"tagId":"3604"},["name","cuarta especia"]],["tag",{"tagId":"3592"},["name","Especies"]],["tag",{"tagId":"3600"},["name","florido"]],["tag",{"tagId":"3599"},["name","nota contra nota"]],["tag",{"tagId":"3601"},["name","primera especie"]],["tag",{"tagId":"3602"},["name","segunda especia"]],["tag",{"tagId":"3603"},["name","tercera especia"]]]],["item",{"itemId":"1948","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"1875"},["src","https://bvhumanidades.usac.edu.gt/files/original/243e2d9c31c58e2ce88388ee041f8ff8.pdf"],["authentication","52cfc374c79d86b5b771feeb15bbe66f"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9741"},["text","Análisis Crítico y Comparativo de los métodos de dictado musical basado en las tecnicas investigativas de la teoría musical"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9742"},["text","https://repository.eafit.edu.co/bitstream/handle/10784/711/JuanDavid_SantanderSyro_2012.pdf"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9743"},["text","En los procesos de formación musical, el dictado musical es parte fundamental en el desarrollo de las habilidades interpretativas y compositivas. De acuerdo con lo observado en los textos existentes sobre el tema, se percibe que son pocos los que contienen una visión integral con respecto a la teoría musical o que no hay una clara relación entre la fundamentación teórica y el dictado musical. Otro aspecto correctivo que se encuentra en los métodos analizados consiste en la presencia de dificultades en la gradualidad de temas que requieren mayor comprensión del desarrollo teórico. Así mismo, se encontraron otros detalles que están en contradicción con la fundamentación planteada en el actual marco teórico. No se pretende entonces solucionar de manera inmediata los inconvenientes mencionados; tampoco se intenta plantear una crítica sin nuevas propuestas a los respetables trabajos y textos existentes que consideran el tema. El desarrollo del trabajo, en síntesis, se basa en plantear una revisión crítica de los textos y métodos de dictado musical, a partir de los fundamentos de la armonía, el contrapunto y la micromorfología de la música tonal de Occidente. Este análisis muestra el diseño y construcción de los textos, así como los aspectos correctivos y positivos que sirvieron para proponer un método de dictado musical riguroso e integral que incluye los aspectos teóricos fundamentales concernientes a la armonía, el contrapunto y la micromorfología. El propósito e idea central es generar un nuevo método práctico alrededor de un criterio que se genera a partir del estudio y la comparación crítica de algunos textos de dictado musical tonal de uso corriente en el mundo y obtener nuevas conclusiones y puntos de referencia."]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9744"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9745"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"2605"},["name","acordes"]],["tag",{"tagId":"3509"},["name","análisis"]],["tag",{"tagId":"75"},["name","armonía"]],["tag",{"tagId":"3598"},["name","Cadencia"]],["tag",{"tagId":"3531"},["name","Contrapunto"]],["tag",{"tagId":"3592"},["name","Especies"]],["tag",{"tagId":"3595"},["name","Imitación"]],["tag",{"tagId":"3597"},["name","Novenas"]],["tag",{"tagId":"3596"},["name","Septimas"]]]],["item",{"itemId":"1947","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"1874"},["src","https://bvhumanidades.usac.edu.gt/files/original/b07212557fa435ba187bcaaff95f1c90.pdf"],["authentication","c3ed99ea5cc6c13866290ba889fc15ef"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9736"},["text","Contrapunto sacro-vocal del siglo XVI: El estilo Palestrina"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9737"},["text","https://repository.eafit.edu.co/bitstream/handle/10784/515/JuanCamilo_ToroEcheverri_2012.pdf?sequence=1&isAllowed=y"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9738"},["text","Este trabajo recopila y resume de manera efectiva, concisa y clara, los textos de contrapunto basados en el estilo del siglo XVI de los autores Fux, De la Motte, Gauldin y Jeppesen, con el objetivo de realizar un análisis comparativo de los textos académicos más representativos sobre el contrapunto del siglo XVI, para adquirir los conocimientos necesarios y así poder ofrecer unas conclusiones que permitan una correcta escritura estilística."]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9739"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9740"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"3531"},["name","Contrapunto"]],["tag",{"tagId":"3591"},["name","Especie"]],["tag",{"tagId":"3592"},["name","Especies"]],["tag",{"tagId":"3590"},["name","Fux"]],["tag",{"tagId":"3593"},["name","Palestrina"]],["tag",{"tagId":"3594"},["name","Siglo XVI"]]]],["item",{"itemId":"1946","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"1873"},["src","https://bvhumanidades.usac.edu.gt/files/original/9c9843a00e6d045393ec39d58d8129d7.pdf"],["authentication","4990af1676cf2333c5bf3e4285523765"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9731"},["text","Principios de Contrapunto"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9732"},["text","http://alanbelkinmusic.com/bk.C/contrapuntoSP.pdf"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9733"},["text","tratado de contrapunto de forma flexible y sencilla"]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9734"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9735"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"3589"},["name","contorno"]],["tag",{"tagId":"3531"},["name","Contrapunto"]],["tag",{"tagId":"3588"},["name","textura contrapuntística"]],["tag",{"tagId":"2608"},["name","voces"]]]],["item",{"itemId":"1945","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"1872"},["src","https://bvhumanidades.usac.edu.gt/files/original/a7105a54149602c0e549560bfe1317c0.pdf"],["authentication","90b035fff59470b9c6415fe64d558ab5"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9726"},["text","Armonía/Contrapunto"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9727"},["text","http://www.davidcuevas.net/pdf/ARMONIA_I_II.pdf"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9728"},["text","Manual de Armonía y contrapunto"]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9729"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9730"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"2767"},["name","Acorde"]],["tag",{"tagId":"2605"},["name","acordes"]],["tag",{"tagId":"75"},["name","armonía"]],["tag",{"tagId":"73"},["name","canon"]],["tag",{"tagId":"3531"},["name","Contrapunto"]]]],["item",{"itemId":"1944","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"1871"},["src","https://bvhumanidades.usac.edu.gt/files/original/2fe9c5acc078e7964f395cf6bf8d0d41.pdf"],["authentication","77431c794aaff627000d63228417fd4a"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9721"},["text","Polifonía, Contrapunto y Cantus Firmus"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9722"},["text","http://www.csi-csif.es/andalucia/modules/mod_ense/revista/pdf/Numero_15/ANTONIO_BERNAL_1.pdf"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9723"},["text","artículo que habla sobre las caracteristicas y el desarrollo de la polifonía y el contrapunto"]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9724"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9725"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"3584"},["name","Cantus Firmus"]],["tag",{"tagId":"3531"},["name","Contrapunto"]],["tag",{"tagId":"3585"},["name","Coral Madrigal"]],["tag",{"tagId":"3526"},["name","Fuga"]],["tag",{"tagId":"3587"},["name","imitación Canon"]],["tag",{"tagId":"3586"},["name","motete"]],["tag",{"tagId":"3583"},["name","Organum"]],["tag",{"tagId":"2608"},["name","voces"]]]]]