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                <text>EL DAVID DE MIGUEL ANGEL</text>
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                <text>El David es una escultura de mármol blanco de casi 5 metros de altura realizada por Miguel Ángel Buonarroti entre 1501 y 1504. La escultura representa al Rey David bíblico en el momento previo a enfrentarse con Goliat, y fue acogida como un símbolo de la República de Florencia frente a la hegemonía de sus derrocados dirigentes, los Médici, y la amenaza de los estados adyacentes, especialmente los Estados Pontificios</text>
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                <text>paseando por la historia </text>
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                <text>la arquitectura italiana del renacimiento </text>
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                <text>http://artpower-ana.blogspot.com/2012/02/la-arquitectura-italiana-del.html	</text>
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                <text>Podemos definir el Renacimiento como un movimiento cultural que surge en Italia y que implica una vuelta, un renacer a los ideales del mundo clásico (Grecia y Roma). Ese interés por el mundo antiguo clásico se manifestó en sus vertientes históricas, filosóficas, políticas, culturales y artísticas </text>
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                <text>la túnica de Cassandra</text>
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                <text>La pintura renacentista supone una vuelta a la cultura clásica, a la búsqueda de la belleza basada en la medida, el número y la proporción</text>
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                <text>LA CÚPULA DE LA CATEDRAL DE FLORENCIA</text>
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                <text>http://aprendersociales.blogspot.com/2010/02/la-cupula-de-la-catedral-de-florencia.html</text>
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                <text>la cúpula de la catedral de Florencia se eleva por encima del viejo caserío de la ciudad, dando a ésta su perfil más característico. Con esta obra Brunelleschi aportó interesantes novedades a la historia de la arquitectura</text>
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                <text>enseñ-arte</text>
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                <text>El primero en comprender plenamente, desde la gran época de la escultura griega, la identidad del desnudo con el gran arte figurativo, fue Miguel Ángel</text>
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                <text>El grabado en el Renacimiento</text>
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                <text>Durante el Renacimiento, las estampas erigieron al grabado en un instrumento de conocimiento, una ayuda a la memoria, un arma de propaganda, un sermón gráfico y un seguro contra las penas del purgatorio. Así de la misma forma que hoy leemos un periódico  o miramos una estampa religiosa, el pueblo consumió esos vehículos de devoción y de satisfacción de la curiosidad que despertaba un suceso singular.</text>
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                <text>La escultura renacentista se caracteriza por la proporción, la simetría y el canon. Lo importante es la belleza, más que lo que representa, por eso reaparecen los temas mitológicos. Estudia la anatomía a través del desnudo y el retrato. Utiliza materiales nobles como el mármol y el bronce, con los que se alcanza gran perfección. Amplia los temas, ya que se retrata a individuos, y desaparece el sentido narrativo de la obra.</text>
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                <text>pintura religiosa basada en los primitivos flamencos, pero con una fuerte carga de patetismo y violencia. Los pintores alemanes asumen los problemas de la reforma luterana y los transmite a la imagen religiosa. </text>
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