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Huertas - cu subtirare în limba română"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"17874"},["text","Desde que conocí a Carme Jiménez no dejo de preguntarme cómo es posible que hasta ahora no se haya cuestionado nunca que el latín sea la madre de las lenguas románicas. Escucharla a ella es toparse de repente con el sentido común. Aunque Carmen no es la única lingüista que defiende que nuestra lengua no viene del latín, pero al parecer, hay una sordera sistemática del mundo académico ante esta \"aparentemente rara\" teoría. No es de extrañar, reconocer algo así pondría en evidencia todo nuestra sistema lingüístico y la centenaria creencia en un postulado inicial (que el latín es la lengua madre) que nunca ha llegado a revisarse de manera objetiva. ¿Acaso los habitantes de la península ibérica eran mudos antes de la llegada de los romanos...?\nNos escontramos con algo parecido al engañoso Darwin y la supuesta evolución de las especies. Aquí también nos sigue faltando el \"eslabón perdido\". Siempre nos han contado que nuestra lengua es fruto de una \"degeneración\" de la lengua latina en lengua vulgar; por otra parte, término claramente despectivo. Pero hay ya demasiadas evidencias que demuestran que el latín vulgar no existió. De haber existido, deberíamos haber encontrado muchos más \"eslabones intermedios\" escritos entre ese latín \"degenerado\" y las lenguas romances. Sin embargo no es así.  Esto debería hacernos reflexionar... ¿no creéis?\nCarme Jiménez es escritora y filóloga especializada en lingüística, y también, profesora de latín! Sabe muy bien de qué está hablando. Se ha enfrentado al elenco academicista de la gramática histórica por mantener esta teoría, así como por sus investigaciones sobre la lengua ibérica, publicadas en ibers.cat. Pero no ha cejado en el empeño y recién acaba de publicar su investigación en el libro No venimos del latín, en el que nos cuenta una historia gramatical algo diferente...\nSu siguiente sueño ahora es crear un equipo multidisciplinar para descifrar definitivamente la lengua ibérica (que ya preexistía aquí desde el s VII a.C. mucho antes de la llegada de los romanos) y con ella, la clave de todo el entramado lingüístico. Os recomiendo no sólo la entrevista, sino también su libro, que a mí me ha fascinado.\nhttp://carmejhuertas.blogspot.com.es/\nhttp://timefortruth.es\ncu subtirare în limba română: Dumitru Sonea\n\nNota añadida en marzo 2016\nDespués del impacto ocasionado por la primera edición del libro \"No venimos del latín\", Carmen J. Huertas presenta una segunda edición, revisada y ampliada, presentando nuevas hipótesis de investigación. Además, se han añadido tres capítulos sobre lexicología, etimología y toponimia. Otro cambio importante ha sido la incorporación de la lengua rumana en el estudio. 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Escuela estadounidense: teoría literaria.\n\nLa Literatura Comparada como invención europea, construcción nacionalista e interpretación etic de una literatura emic.\n\n5. Conceptos tradicionales de Literatura Comparada: Weltliteratur, teoría literaria y comparatismo.\n\n6. 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Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation."],["elementContainer",["element",{"elementId":"52"},["name","Player"],["description","html for embedded player to stream video content"],["elementTextContainer",["elementText",{"elementTextId":"17866"},["text","<iframe width=\"480\" height=\"270\" src=\"//www.youtube.com/embed/s5P3haHdfEY\" frameborder=\"0\" allowfullscreen></iframe>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"17861"},["text","La Literatura Comparada es una interpretación imperialista de la Literatura"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"17862"},["text","Literatura Comparada y Materialismo Filosófico.\n\nEl objetivo de la Literatura Comparada, la interpretación máxima en Literatura Comparada, es la interpretación canónica de la Literatura, es decir, la canonización de los materiales literarios construidos por una Literatura Nacional frente a otras.\n\nSe aplica a la Literatura Comparada el Materialismo Filosófico de Gustavo Bueno.\n\nLa Literatura Comparada es la forma más imperialista de interpretar la literatura.\n\nSe niega que la posmodernidad pueda hablar de Literatura Comparada. Porque si todas las literatura son iguales, entonces no hay nada que comparar.\n\nFeminismos, nacionalismos y culturalismos..., dan lugar a interpretaciones gremiales, gregarias, autistas, incluso, de literatura.\n\nMás información:\n\nhttp://www.academiaeditorial.com/web/critica-de-la-razon-literaria-2/\n\nhttp://jesus-g-maestro.blogspot.com.es/\n\nhttp://critica-de-la-razon-literaria.blogspot.com.es/\n\nhttps://www.facebook.com/Jesus.G.Maestro"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"17863"},["text","2016-04-28T20:13:57.000Z"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"17864"},["text","http://YouTube.com"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"17865"},["text","<a href=\"https://www.youtube.com/static?template=terms\">Standard YouTube License</a>"]]]]]]],["tagContainer",["tag",{"tagId":"73"},["name","canon"]],["tag",{"tagId":"6409"},["name","Canon literario"]],["tag",{"tagId":"6320"},["name","Crítica de la razón literaria"]],["tag",{"tagId":"6323"},["name","Crítica literaria"]],["tag",{"tagId":"842"},["name","Cultura"]],["tag",{"tagId":"6414"},["name","Culturalism"]],["tag",{"tagId":"6321"},["name","Editorial Academia del Hispanismo"]],["tag",{"tagId":"6411"},["name","Feminismo"]],["tag",{"tagId":"6408"},["name","Gremio"]],["tag",{"tagId":"6336"},["name","Gustavo Bueno"]],["tag",{"tagId":"6412"},["name","Imperialismo"]],["tag",{"tagId":"2282"},["name","imperio"]],["tag",{"tagId":"6264"},["name","Indigenismo"]],["tag",{"tagId":"6317"},["name","Jesús G. Maestro"]],["tag",{"tagId":"5118"},["name","literatura"]],["tag",{"tagId":"6328"},["name","Literatura comparada"]],["tag",{"tagId":"6319"},["name","Materialismo Filosófico"]],["tag",{"tagId":"6410"},["name","Nación"]],["tag",{"tagId":"6250"},["name","Posmodernidad"]],["tag",{"tagId":"6413"},["name","Posmoderno"]],["tag",{"tagId":"6318"},["name","Teoría de la Literatura"]]]],["item",{"itemId":"3635","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"3537"},["src","https://bvhumanidades.usac.edu.gt/files/original/96a5553b139241b848d3cb73299374e5.jpg"],["authentication","a86410e035e45685bad7cc5a6c905a7f"]]],["collection",{"collectionId":"6"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"16446"},["text","LETRAS"]]]]]]]],["itemType",{"itemTypeId":"3"},["name","Moving Image"],["description","A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation."],["elementContainer",["element",{"elementId":"52"},["name","Player"],["description","html for embedded player to stream video content"],["elementTextContainer",["elementText",{"elementTextId":"17860"},["text","<iframe width=\"480\" height=\"270\" src=\"//www.youtube.com/embed/Yb70ICWBV6Y\" frameborder=\"0\" allowfullscreen></iframe>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"17855"},["text","Teoría de los Géneros Literarios: ¿qué es, y cómo se estudia, un género literario?"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"17856"},["text","Se expone en este vídeo una Teoría de los Géneros Literarios, según el Materialismo Filosófico como Teoría de la Literatura, a partir de la obra de Gustavo Bueno.\n\nTradicionalmente, las obras sobre géneros literarios no exponen una Teoría de los Géneros Literarios, sino una Teoría de las Especies Literarias.\n\nSiguen a Porfirio, y a la teoría de las esencias porfirianas. Aunque no lo saben. No son conscientes de ello.\n\nLa novedad es que el Materialismo Filosófico como Teoría de la Literatura sigue el modelo de las esencias plotinianas, y distingue el Género en relación dialéctica con la Especie y con la Obra literaria individual o concreta.\n\nMás información:\n\nhttp://www.academiaeditorial.com/web/critica-de-la-razon-literaria-2/\n\nhttp://jesus-g-maestro.blogspot.com.es/\n\nhttp://critica-de-la-razon-literaria.blogspot.com.es/\n\nhttps://www.facebook.com/Jesus.G.Maestro"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"17857"},["text","2016-04-26T16:07:29.000Z"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"17858"},["text","http://YouTube.com"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"17859"},["text","<a href=\"https://www.youtube.com/static?template=terms\">Standard YouTube License</a>"]]]]]]],["tagContainer",["tag",{"tagId":"6334"},["name","Aristóteles"]],["tag",{"tagId":"6405"},["name","Categorías"]],["tag",{"tagId":"6320"},["name","Crítica de la razón literaria"]],["tag",{"tagId":"6323"},["name","Crítica literaria"]],["tag",{"tagId":"6321"},["name","Editorial Academia del Hispanismo"]],["tag",{"tagId":"6322"},["name","Géneros literarios"]],["tag",{"tagId":"6336"},["name","Gustavo Bueno"]],["tag",{"tagId":"6406"},["name","Isagoré"]],["tag",{"tagId":"6317"},["name","Jesús G. Maestro"]],["tag",{"tagId":"5118"},["name","literatura"]],["tag",{"tagId":"6319"},["name","Materialismo Filosófico"]],["tag",{"tagId":"6403"},["name","Plotino"]],["tag",{"tagId":"6404"},["name","Porfirio"]],["tag",{"tagId":"6318"},["name","Teoría de la Literatura"]],["tag",{"tagId":"6407"},["name","Teoría de las esencia"]]]],["item",{"itemId":"3634","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"3536"},["src","https://bvhumanidades.usac.edu.gt/files/original/f51f842df7b104e92cc9c1b006b83da9.jpg"],["authentication","1f7f4924a3b948cc5d89054966d78bd6"]]],["collection",{"collectionId":"6"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"16446"},["text","LETRAS"]]]]]]]],["itemType",{"itemTypeId":"3"},["name","Moving Image"],["description","A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation."],["elementContainer",["element",{"elementId":"52"},["name","Player"],["description","html for embedded player to stream video content"],["elementTextContainer",["elementText",{"elementTextId":"17854"},["text","<iframe width=\"480\" height=\"270\" src=\"//www.youtube.com/embed/cL30oMYgG6U\" frameborder=\"0\" allowfullscreen></iframe>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"17849"},["text","El concepto de ficción en la Literatura"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"17850"},["text","Se expone en este vídeo una interpretación del Concepto de Ficción en la Literatura, según el Materialismo Filosófico como Teoría de la Literatura.\n\nSe considera que es ficción toda materia que carece de existencia operatoria.\n\nSe critica la teoría de los mundos posibles como una teoría capaz de explicar la ficción literaria.\n\nLa teoría de los mundos posibles concibe la ficción como una forma sin materia. Como un fantasma.\n\nEl Materialismo Filosófico como Teoría de la Literatura concibe la ficción como una forma cuya materia carece de existencia operatoria.\n\nEl criterio para explicar la ficción es la operatoriedad. Ningún otro criterio es válido."]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"17851"},["text","2016-03-15T15:38:27.000Z"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"17852"},["text","http://YouTube.com"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"17853"},["text","<a href=\"https://www.youtube.com/static?template=terms\">Standard YouTube License</a>"]]]]]]],["tagContainer",["tag",{"tagId":"1179"},["name","Ciencia"]],["tag",{"tagId":"6401"},["name","Ciencia ficción"]],["tag",{"tagId":"6320"},["name","Crítica de la razón literaria"]],["tag",{"tagId":"6323"},["name","Crítica literaria"]],["tag",{"tagId":"6321"},["name","Editorial Academia del Hispanismo"]],["tag",{"tagId":"6402"},["name","Ficció"]],["tag",{"tagId":"6336"},["name","Gustavo Bueno"]],["tag",{"tagId":"6317"},["name","Jesús G. Maestro"]],["tag",{"tagId":"6328"},["name","Literatura comparada"]],["tag",{"tagId":"6319"},["name","Materialismo Filosófico"]],["tag",{"tagId":"6400"},["name","Mundos posibles"]],["tag",{"tagId":"6318"},["name","Teoría de la Literatura"]]]],["item",{"itemId":"3633","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"3535"},["src","https://bvhumanidades.usac.edu.gt/files/original/2509522c0a1e355a5f264ad68f6fce3c.jpg"],["authentication","b8f0ba993cca8cb60e8d32b6389e6e1e"]]],["collection",{"collectionId":"6"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"16446"},["text","LETRAS"]]]]]]]],["itemType",{"itemTypeId":"3"},["name","Moving Image"],["description","A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation."],["elementContainer",["element",{"elementId":"52"},["name","Player"],["description","html for embedded player to stream video content"],["elementTextContainer",["elementText",{"elementTextId":"17848"},["text","<iframe width=\"480\" height=\"270\" src=\"//www.youtube.com/embed/CBgxVqYwUeU\" frameborder=\"0\" allowfullscreen></iframe>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"17843"},["text","La Teoría de la Literatura frente a la Teoría del Cierre Categorial de Gustavo Bueno"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"17844"},["text","Este vídeo concluye el capítulo de la Gnoseología de la Literatura, compuesto por tres sesiones, tituladas 1) Desde el hundimiento de la Teoría de la Literatura, 2) Hacia la reconstrucción de la Teoría de la Literatura y 3) La Teoría de la Literatura frente a la Teoría del Cierre Categorial de Gustavo Bueno.\n\nSe expone aquí el fundamento científico de la Teoría de la Literatura como ciencia, es decir, como conocimiento científico de los materiales literarios.\n\nSe critican e impugnan las teorías literarias basadas en criterios académicos, porque constituyen una especie de \"teoría literaria para universitarios\", y en criterios epistemológicos, porque dan lugar a teorías literarias idealistas, que trabajan no con realidades literarias, sino con idealismos literarios o irrealidades literarias. \n\nSe opta por un enfoque gnoseológico de la Teoría de la Literatura, basado en materiales literarios reales. Por ejemplo, se trabajará con lectores reales, no con lectores implíticos (Iser) o modélicos (Eco), desde el momento en que estos últimos son figuras ideales e irreales o materialmente inexistentes.\n\nFinalmente, se ofrece una organización de las ciencias, basada en una reinterpretación de la Teoría del Cierre Categorial de Gustavo Bueno. Se propone una clasificación de las ciencias en 1) Ciencias Naturales, 2) Ciencias Computacionales, 3) Ciencias Estructurales, 4) Ciencias Reconstructivas, 5) Ciencias Demostrativas, y 6 ) Ciencias Políticas.\n\nLa Teoría de la Literatura se sitúa en el terreno de las Ciencias Reconstructivas. Y la Crítica de la Literatura se sitúa en el ámbito de las Ciencias Demostrativas.\n\nDocumentos impresos y materiales adjuntos a estas lecciones pueden descargarse de este enlace:\nhttp://jesus-g-maestro.blogspot.com.e...\n\nLos volúmenes correspondientes a la obra completa de la Crítica de la Razón Literaria puede verse aquí:\nhttp://www.academiaeditorial.com/web/...\n\nBibliografía de Gustavo Bueno:\nhttp://www.fgbueno.es/gbm/gb0bibl.htm"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"17845"},["text","2015-05-05T18:12:12.000Z"]]]],["element",{"elementId":"48"},["name","Source"],["description","A related resource from which the described resource is derived"],["elementTextContainer",["elementText",{"elementTextId":"17846"},["text","http://YouTube.com"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"17847"},["text","<a href=\"https://www.youtube.com/static?template=terms\">Standard YouTube License</a>"]]]]]]],["tagContainer",["tag",{"tagId":"6320"},["name","Crítica de la razón literaria"]],["tag",{"tagId":"6323"},["name","Crítica literaria"]],["tag",{"tagId":"6398"},["name","Cultural Studies (Field Of Study)"]],["tag",{"tagId":"6321"},["name","Editorial Academia del Hispanismo"]],["tag",{"tagId":"316"},["name","epistemología"]],["tag",{"tagId":"6355"},["name","Estudios Culturales"]],["tag",{"tagId":"6366"},["name","Genealogía de la Literatura"]],["tag",{"tagId":"6397"},["name","Gnoseología"]],["tag",{"tagId":"6394"},["name","Gnoseología de la literatura"]],["tag",{"tagId":"6336"},["name","Gustavo Bueno"]],["tag",{"tagId":"6399"},["name","Jacques Derrida (Academic"]],["tag",{"tagId":"6317"},["name","Jesús G. 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