["item",{"itemId":"1306","public":"1","featured":"1","xmlns:xsi":"http://www.w3.org/2001/XMLSchema-instance","xsi:schemaLocation":"http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd","uri":"https://bvhumanidades.usac.edu.gt/items/show/1306?output=omeka-json","accessDate":"2026-04-15T04:34:12-05:00"},["fileContainer",["file",{"fileId":"1238"},["src","https://bvhumanidades.usac.edu.gt/files/original/24b6ba57ed9a5560067efcd947bb9826.pdf"],["authentication","36bc91a47d71f532168d48a9e288434f"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"6529"},["text","Consideraciones técnicas para una producción musical grabada en vivo"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"6530"},["text","http://repository.javeriana.edu.co/bitstream/10554/4359/1/tesis78.pdf"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"6531"},["text","Las producciones musicales en vivo en nuestro medio han sido un motor para la  promoción  de  toda  actividad  musical,  las  nacientes  bandas  y  cualquier  proyecto  musical  a boga  por  las  presentaciones  en  vivo  para  darse  a  conocer  y  llevar  su trabajo musical de estudio a los espectadores. El  sector  del  sonido  en  vivo    juega  un  papel  importante  como  promotor del trabajo en estudio; existe una relación de ayuda mutua más que de complemento   entre   estos   dos   campos   de   la   ingeniería   de   sonido. Las producciones  en  estudio  y  las  presentaciones  en  vivo  se  deben  complementar para  poder  llevar  al  público  lo  que  sus  autores  desean  plasmar  originalmente  y sobre escena."]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"6532"},["text","2009"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"6533"},["text","Julian Eduardo Bernal Burgos Omar Felipe Cárdenas Parra "]]]]]]],["tagContainer",["tag",{"tagId":"3056"},["name","amplificadores"]],["tag",{"tagId":"3060"},["name","cables"]],["tag",{"tagId":"3057"},["name","consolas"]],["tag",{"tagId":"3059"},["name","crossovers"]],["tag",{"tagId":"3055"},["name","Microfonos"]],["tag",{"tagId":"3058"},["name","modulos"]]]]