["item",{"itemId":"1899","public":"1","featured":"1","xmlns:xsi":"http://www.w3.org/2001/XMLSchema-instance","xsi:schemaLocation":"http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd","uri":"https://bvhumanidades.usac.edu.gt/items/show/1899?output=omeka-json","accessDate":"2026-04-11T03:24:03-05:00"},["fileContainer",["file",{"fileId":"1828"},["src","https://bvhumanidades.usac.edu.gt/files/original/3eec8948fb71d5f024ef6602c69c1d94.pdf"],["authentication","8601eec0840641bee6c22060f2097768"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"9496"},["text","¿por qué usamos 12 notas? De Pitágoras a Bach"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"9497"},["text","http://mate.dm.uba.ar/~rduran/slides/escalas.pdf"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"9498"},["text","Existen muchas conexiones entre la m´usica y la matem´atica. Aqu´ı nos ocuparemos de una de las m´as cl´asicas que es la relacionada con la construcci ´on de las escalas musicales. En la Grecia antigua los pitag´oricos estudiaron, entre muchas otras cosas, la armon´ıa, es decir, c´omo suenan dos o m´as sonidos producidos al mismo tiempo o qu´e combinaciones resultan “agradables” y cu´ales no. Por supuesto que “agradable” es algo muy subjetivo (por eso lo ponemos entre comillas), sabemos que hay obras musicales que a algunas personas les parecen hermosas mientras que a otras les resultan espantosas. De hecho, lo que ha sido considerado como musicalmente aceptables fue cambiando a trav´es del tiempo. Sin embargo, hay algunas reglas b´asicas que parecen ir m´as all´a de cuestiones culturales, combinaciones de sonidos que “suenan bien” (¡otra vez las comillas!) a todas las personas, lo cual ha motivado que distintas culturas en diversos lugares del mundo hayan usado escalas musicales similares."]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"9499"},["text","null"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"9500"},["text","null"]]]]]]],["tagContainer",["tag",{"tagId":"3554"},["name","matemática"]],["tag",{"tagId":"1269"},["name","Musica"]],["tag",{"tagId":"3557"},["name","notas musicales"]],["tag",{"tagId":"3562"},["name","pitágoras"]]]]