["item",{"itemId":"24","public":"1","featured":"1","xmlns:xsi":"http://www.w3.org/2001/XMLSchema-instance","xsi:schemaLocation":"http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd","uri":"https://bvhumanidades.usac.edu.gt/items/show/24?output=omeka-json","accessDate":"2026-04-19T04:25:29-05:00"},["fileContainer",["file",{"fileId":"24"},["src","https://bvhumanidades.usac.edu.gt/files/original/40eedf9aba3a8b265a024b26e3a1bf69.pdf"],["authentication","8d50d0a0326ecd64a63e0ad05b8fdc10"]]],["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","ARTE / MÚSICA"]]]]]]]],["itemType",{"itemTypeId":"1"},["name","Text"],["description","A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text."]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"118"},["text","La disolución de la pintura Neoclásica "]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"119"},["text","https://estudiandoloartistico.wordpress.com/2013/09/27/la-disolucion-de-la-pintura-neoclasica/"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"120"},["text","una pintura que hablaba un lenguaje sobrio, es decir, una pintura donde predominaba la línea sobre el color, una pintura que desconfiaba de las texturas y de los efectos de la luz. Por eso no veremos escorzos, decoraciones ni grandes perspectivas"]]]],["element",{"elementId":"38"},["name","Coverage"],["description","The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant"],["elementTextContainer",["elementText",{"elementTextId":"121"},["text","2015-07-18"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"122"},["text","Estudiando la historia arte UNED "]]]]]]],["tagContainer",["tag",{"tagId":"71"},["name","neoclásica"]],["tag",{"tagId":"70"},["name","perfeccionista"]],["tag",{"tagId":"69"},["name","pintura artista"]]]]